Motown spent much of the 2000s headquartered in New York City as a part of the UMG subsidiaries Universal Motown and Universal Motown Republic Group. The Funk Brothers were session musicians who provided the backing to most Motown recordings. Phil Spector. The most important of the Funk Brothers was likely electric bassist James Jamerson , whose inventive musicality and idiosyncratic technical abilities led him to craft unique, propulsive bass lines that were central to the Motown Sound. ? The Funk Brothers were a group of Detroit-based session musicians who performed the backing to most Motown recordings from 1959 until the company moved to Los Angeles in 1972. true. From 2011 to 2014, it was a part of The Island Def Jam Music Group division of Universal Music. Guitarist Willis (who like many of the Funk Brothers played jazz clubs when they weren't in the Motown studio), on the never-stop atmosphere at Studio A, … Which of the following Motown song's lyrics capitalized on the dance song craze of the early 1960s? This group would later be called The Funk Brothers.. From 1959-1972, The Funk Brothers were the backing band (occasionally touring) for Motown's major acts including: Marvin Gaye, The Temptations, The Supremes, Smokey Robinson and the Miracles, The Four Tops, and Stevie Wonder. Stevie Wonder and former Motown A&R director Mickey Stevenson are present to pay tribute. Dick Dale was known as the King of Surf Guitar. Wikipedia. Eddie was also a more active road musician than most of the Funk Brothers, touring with the Marvelettes during Motown's early days and later spending almost two decades playing throughout the world with the Four Tops following the label's 1972 departure from Detroit. The Funk Brothers melted away as a working band in the early Seventies following Motown’s wholesale relocation to California, and many of the key players – Benjamin, Jamerson, White, and Van Dyke himself – died before their achievements were properly recognised – but surviving members have continued to play together since the release of Standing in the Shadows of Motown. The Funk Brothers The Dream Machine According to the documentary, Standing in the Shadows of Motown, this group of session musicians has been a part of "more number one hits than the Beatles, Elvis Presley, the Rolling Stones and the Beach Boys combined." They were the band who recorded and performed on Motowns’ recordings from 1959 to 1972. The film covers the Funk Brothers’ career via interviews with surviving … So Who Were The Funk Brothers? Working as the Motown studio's house band for most of the sixties, the group played on dozens of … Garage rock isn't necessarily what we think of when we think of Motown, but it absolutely is a huge part of Detroit's musical history, and The Underdogs were already hometown heroes by the time they signed to Motown's VIP label in the mid-'60s. Some of the musicians were Jack Ashford, Robert White, and Eddie Willis. Dances. For many years, the Motown founder Berry Gordy, Jnr. The following year, they are honoured with the Grammy® Lifetime Achievement award. The Funk Brothers were a group of Detroit-based session musicians who performed the backing to most Motown ... Jamerson would usually play the acoustic bass for the ensemble take and then dub the same part on electric bass afterward. Which of the following groups was NOT part of the surf sound?` The Ronettes` Alan Freed is the producer known for his "Wall of Sound." The producer known for his "Wall of Sound" was? The Funk Brothers were the core of musicians responsible for defining the classic Motown sound. Neither release was what they really wanted, though, which was a straight-ahead jazz album. But the Funk Brothers long wanted to release an album of their own and somewhat got their wish granted, with Earl Van Dyke Plays the Motown Sound and The Earl of Funk (September 1970), both released on Motown's subsidiary label Soul. The musicians on many of the Motown hit records were called the Funk Brothers with James Jamerson on bass. Motown was a combined idea between Berry Gordy Jr. and Smokey Robinson, who was also the lead singer for: (Points : 2) the Miracles the O'Jays Boyz II Men the Temptations 4. Paul Riser. Motown Funk Brothers 1965. They are considered one of the most successful groups of studio musicians in music history. Being jazz musicians, the Funk Brothers, “could swing like crazy,” in the words of producer Don Was. The film was inspired by the 1989 book Standing in the Shadows of Motown: The Life and Music of Legendary Bassist James Jamerson, a bass guitar instruction book by Allan Slutsky, which features the bass lines of James Jamerson. paid his session musicians, known as the Funk Brothers, a weekly wage and resisted giving them credit on the albums. Hitsville's Steinway often had to be reconditioned after Earl played on a session because of the passion and force with which he attacked the keys. For years, the Funk Brothers were the greatest unknown band in the world. Do You Love Me . At the time Jack Brokenshaw played vibes and I played guitar at Motown and were considered Funk Brothers. “These guys were just magic,” says Stevenson. In 2004 the Funk Brothers were awarded a Grammy Lifetime Achievement Award. They are considered one of the most successful groups of studio musicians in music history. False. In 1959 Berry Gordy assembled some of Detroit's finest jazz musicians for his Motown label. (Points : 2) True False 5. In 2013, the Funk Brothers are further recognized with a star on the Hollywood Walk of Fame. The Funk Brothers was the nickname of Detroit, Michigan, session musicians who performed the backing to most Motown Records recordings from 1959 until the company moved to Los Angeles in 1972. A few members, including Jamerson, followed to the West Coast, but found the environment uncomfortable. The Funk Brothers played on more Number 1 records than all of the above artists COMBINED. He was praised for being so precise a player that listeners cannot tell right away that two basses are on the recording. Riser said Mr. Jones often played with the surviving Funk Brothers, who were the focus of an acclaimed 2002 documentary film called "Standing in the Shadows of Motown… According to her biography, Berry, Motown and Me, things got so tight financially that she turned to part time ... were Motown’s biggest competitors and in the same city; Detroit. Motown's Studio Band The Funk Brothers were the greatest hit ... and aggressive keyboard style he brought with him made Earl an integral part of "The Motown Sound." The Funk Brothers were the in house musicians for Motown records, when Motown was based in Detroit (so from approximately 1963 until Motown relocated to LA in 72/73). Note: Though Terry was a Motown studio musician, He is not personally listed in the following honours, which were mostly awarded to the 13 Funk Brothers who took part in the 2002 reunion. Motown had an extraordinary house band (known as the Funk Brothers) made up of some of the best nightclub and bar musicians in Black Detroit, including Earl Van Dyke on keyboards, Benny Benjamin and Uriel Jones on drums, and James Jamerson on bass. In the mid-'60s, along with several Funk Brothers moonlighting at Golden World, he played on Starr's trio of Northern Soul favourites "Agent Double-O-Soul", "Stop Her On Sight (S.O.S.)" Ensemble Dynamic of Motown’s Funk Brothers Vincent Perry Introduction By the early 1960s, the genre known as soul had become the most commercially successful of all the crossover styles. Askey played as a jazz trumpeter for almost 25 years before arriving at Motown Records to work as a musical director, producer, songwriter and musical arranger for such artists as Billy Eckstine, Gladys Knight, The Temptations, The Supremes, Martha Reeves and The Vandellas, Marvin Gaye and Stevie Wonder, The Jackson 5 and The Funk Brothers. In 1962 Mary Wells had three chart hits. After meeting some of the musicians from the Funk Brothers such as Eddie Willis, Joe Hunter, and Johnny Griffith, Bob now had the opportunity to be a part of the Motown family. Motown’s Funk Brothers were fined $1,000 each for moonlighting on Agent Double O Soul, calling themselves The San Remo Golden Strings. Its members are considered among the most successful groups of studio musicians in music history. Which producer was she working with during this period? On Plays the Motown Sound, Smokey Robinson. Allen trademarked the name “Funk Brothers” for his movie and the other musicians were happy to go along because they needed the money and deserved the recognition because Motown never listed musicians on their albums. On 12 January 1959, the music sensation that changed America – and the world beyond it – was set in motion. 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