This Miller is not a good man, and as such, the Reeve ends this tale with the moral of the story that you can't hope for good if you do evil. Geoffrey Chaucer - The Canterbury Tales: Miller’s Tale 1 The Miller’s Tale Geoffrey Chaucer Here follow the words between the Host and the Miller. On the surface, The Miller’s Tale seems to convey an obvious anti-feminist view of women. Summary: Prologue to the Miller’s Tale. In both the Miller’s Tale and the Physician’s Tale, the moral code is upheld through the household, particularly through the household’s regulation of female sexuality. Furthermore, the two tales deal with justice and injustice or getting what one deserves. When the Knight had ended his tale, in the entire crowd was there nobody, young or old, who did not say it was a noble history and worthy to be called to Moral Message in the Miller’s Tale. In both tales, two men are seeking the love (or possession) of the same woman. The Miller's Tale Questions and Answers - Discover the eNotes.com community of teachers, mentors and students just like you that can answer any question you might have on The Miller's Tale The imaginary tale teller is frequently observed as a belligerent drunk, who consciously breaks the established class order, but Robin the Miller sincerely considers it to be a story about striving lovers that can completely be the Knight’s tale like a noble one (Chaucer 3127). The Miller's Tale is of a student (Nicholas) who persuades his jealous old landlord's much younger wife (Alisoun/Alison) to spend the night with him. The reader learns of his occupation, a clerk, and that he knew the secrets of love and was “sly and ful privee” (Chaucer 93). The Knight's Tale and The Miller's Tale involve a three-way love triangle. Forbes, Shannon “‘To Alison Now Wol I Tellen Al My Love-Longing’: Chaucer’s Treatment of the Courtly Love Discourse in The Miller’s Tale.” Women’s Studies: An Interdisciplinary Journal 36.1 (2007): 1-14. Now that you've read the Miller's Tale, read the Reeve's, whether it's assigned or not. Drunk and belligerent, he promises that he has a “noble” tale that will repay the Knight’s (3126). It's told in direct response to the Miller's, and although it's comparably dirty, it has a certain mean-minded sense of justice, with an explicit moral at the end. The Miller's Prologue is the first "quite" that occurs in the tales. Before the Monk can utter a word, however, the Miller interrupts. The main character, Nicholas, is the protagonist in this story, and suitably detailed. "The Miller's Tale" (Middle English: The Milleres Tale) is the second of Geoffrey Chaucer's Canterbury Tales (1380s–1390s), told by the drunken miller Robin to "quite" (a Middle English term meaning requite or pay back, in both good and negative ways) "The Knight's Tale". “God save al the rowte!” says the Miller. The pilgrims applaud the Knight’s Tale, and the pleased Host asks the Monk to match it. The Miller sums up the tale: the carpenter’s wife has been “swyved” by Nicholas, despite the carpenter’s jealousy; Absolon has kissed her lower regions; and Nicholas has been scalded in the buttocks. In both tales, the woman remains the more-or-less passive bystander while the men struggle for her. “The Miller’s Tale” is an outstanding example of medieval humor. Given its prominence in both tales, female sexuality seems, at least here, to be one of the primary determinants of household honor. 'S assigned or not can utter a word, however, the two tales deal with justice injustice. 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